From The Washington Times

"By the judicious use of scenic projections, this clever production effortlessly conjures up the epic movement of time and space...The entire production possibly one of the best we've ever seen at the Barns at Wolf Trap..."

From The Baltimore Sun

"Eric Allgeier's sleek set design was complemented by S. Katy Tucker's video projections, which introduced often striking imagery without ever getting gimmicky. The total package of engaging musicality and theatricality underlined how much power remains in this absorbing work from the dawn of opera."

From The New Yorker Magazine

"...And credit Katy Tucker with some amazing costume changes achieved by light projection"

From The New York Times

"a video on the back wall periodically illuminates the darkness. Early, slow-moving vortexes add to the sense of uneasily shifting relationships..."

From Broadway World

"Video projections are frequently used to show the statue in question as well as set scenes and several times they are ingeniously cast directly upon the actors in a gorgeous piece of theatrical legerdemain. Since the actors and set are largely dressed in pale earth tones, the saturated colors of the projections work beautifully, transforming the set and actors."

From NYTheatre.com

"The upstage wall...serves as a screen for video scenery indicating changing locale...What makes this work is that this projection screen is only utilized during transitions... S. Katy Tucker's videos are appropriately placed and well-filmed."

From NYTheatre.com

"Thank goodness for the video and projection, designed by Katy Tucker...Katy Tucker's inventive projections show scenery passing by adding dimension and space to the tiny stage."

From Variety

"The play is best served by its designers...Katy Tucker's video projections help make the play a home for random humor."

From CurtainUp

"The insight into how the human brain kicks up the memories that are the heart of the projects we collect, the Terror Alert System color scheme, the collectors contacted on EBay are handsomely illustrated by Jan Hartley and Katy Tucker's projections."

From BlogCritics.com

"The production is well supported by a creative set by Derek McLane and video design by S. Katy Tucker"

From Her Mom

"S. Katy Tucker is the most talented projections designer I've ever met."

From Backstage

"By means of nifty projections by Katy Tucker, Harrow and Vince Nappo are instantly costumed as the mother and son of an earlier time."